Build your brutalist gaming website

In addition to raw concrete, brutalist design is represented by industrial materials such as wood, glass, steel, brass, and brick. In terms of shapes and forms, brutalist design is either organic with rough and unpolished textures or extremely minimal and streamlined, caring for function over anything else.

The term Brutalism is often attributed as emerging from the French word ʼbeton brut,ʼ meaning raw concrete. Many credit Swedish architect Hans Asplund for coining the term when describing Villa Gth, a brick residential building, in 1949.

Brutalism started in the 1950s in the U.K. One of its pioneers was Le Corbusier, a Swiss-French architect who did a lot of work in raw concrete after World War II, including housing, religious buildings, and government buildings. He called this style bton brut, meaning raw concrete.

It was French-Swiss Modernist architect Le Corbusier who began building brutalist structures. He began designing in such a manner in the 1950s, and they soon became popular worldwide. Other architects who helped popularise brutalist design include Alison and Peter Smithson, Marcel Breuer, and Ernő Goldfinger.

Brutalism in web design refers to a design approach that emphasizes raw, unpolished aesthetics. Brutalist websites incorporate visual features like bold typography, high-contrast color schemes and unrefined graphics.

: a style in art and especially architecture using exaggeration and distortion to create its effect (as of massiveness or power) brutalist. -ᵊlə̇st. adjective or noun.

Brutalism emerged after the Second World War but was rooted in the ideas of functionalism and monumental simplicity that had defined earlier architectural modernism, including the International Style. Brutalism sought to adapt earlier principles to a post-war world where urban reconstruction was a pressing necessity.

Even with its successes, Brutalism began to fall out of fashion in the 1970s. The outsize concrete structures no longer appeared as uplifting icons of post-war development. Instead, they were seen as overpowering, cold buildings that were more often than not associated with the ills of society.